



Now a new voice, Clea Simon...World Enough is a slice of lost Boston
More than one writer has shaded Boston as a character into the background of their stories. The late Robert B. Parker with his Spenser series, and George V. Higgins with his singular sad sack Eddie Coyle come to mind. Dennis Lehane is another writer who has covered Boston, whether it's during Prohibition in Given Day, life in the triple-deckers in Mystic River, or adventures with his private investigators Patrick Kenzie and Angela Gennaro. Their Boston is blue-collar and gritty and violent. Now a new voice, Clea Simon has come along and offers readers something different.Her World Enough is a slice of lost Boston, namely the area around Kenmore Square that real estate developers would obliterate. Literally. There was something for everyone, and a lot of it. There were unique bands with unique sounds such as Throwing Muses, Dinosaur, Salem 66, and my favorite discovery from that time, The Pixies. A rich vibrant and fluid music scene of punk, New Wave, and thrash thrived in the area. All those venues and clubs are long gone.What's unique about World Enough is that readers get nostalgia refracted through the faulty memory of Tara Winton, along with a mystery. Tara is trying to reconcile details about a suspicious death with what she knew about the victim in her youth. What is a refreshing change here is that Tara is a journalist and not a PI, and the author doesn't portray her as difficult or unpleasant - a common trope in crime/mystery fiction. Tenacious she is, yes, and I enjoyed seeing how a journalist digs for the truth. There is a different mental process at work here in solving the riddle. Past and present seem to blend and blur at times in the narrative, but I think that speaks to Clea Simon's strength and fidelity to perception and psychology. World Enough will introduce readers to another side of Boston, one that that isn't stereotyped. I look forward to the next installment of Tara Winton.